White square project artwork reading “The Full Story: A Psychosis in Three Acts,” with iridescent letterforms, a parental advisory mark, and the ZER:0 synthetic vocal instrument signature.

THE FULL STORY

A PSYCHOSIS IN THREE ACTS

I didn’t set out to make a trilogy. I was trying to survive the story long enough to understand it.

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00 / Orientation

What Is This?

This project is what happened when I took one of the most confusing and painful stretches of my life and kept writing after one album wasn’t enough. ZER:0 became the voice for the parts I couldn’t always say out loud.

I didn’t plan a trilogy. Honestly, I didn’t know I was making three acts until the songs started sorting themselves into what happened, what came after, and whatever it means to keep living after both. The structure arrived later. The feelings were happening in real time.

A creative case study

I wrote the lyrics, built the characters, directed the performances, designed the visual world, and kept the uncomfortable revisions that got me closer to the truth.

Three acts. One narrative.

Each release lives in a different part of the same story. They don’t look or sound identical because I wasn’t the same person while making them.

Built through the process

The choices, mistakes, rejected versions, limitations, and human judgment belong here. The process isn’t separate from the story. It’s evidence of how I found a way to tell it.

A note from me

Before You Press Play

This was never supposed to become three acts.

As a whole, this body of work represents the last year and a half of my life in the rawest, most bizarre way possible.

You may look at this and say, “34 tracks is a lot.” But if I told you how even then I omitted so much plot for the sake of the listener, you’d thank me.

I decided I would take ownership of my lot. I decided I wanted to talk about it — the majority of it. But speech was hard when I lost the ability to speak. Trauma does that to you.

So I created this little universe: ZER:0 and VA//A:RE. Two AI voice instruments that I fleshed out into recognizable characters, vessels for all that I had experienced. They represent fragmented parts of my life amalgamated into a cohesive narrative laced in hyper-pop beats and metal licks.

But I wrote it all. Every lyric. Every character design. Every angle.

And everything just fell into place. I had the time. I had the tools. I had the lyrics. So I did it.

You may have personal opinions about my methods. I want to respect that.

When the world creates so much fear in you that you end up paralyzed on the floor, gasping for air, you fight to find a way to still talk about it. For those who come after.

I would never wish this fate on any person. My wish is that someone out there will hear these songs and find something they needed to hear.

So here it is, in all its oddity: The Full Story — A Psychosis in Three Acts.

Character study / three acts

The Three Eras of ZER:0

ZER:0 changed because I changed. Each act needed its own voice, silhouette, and visual pressure. The split black-and-white hair, headphones, violet details, and 零 stayed recognizable, but the person carrying them wasn’t standing in the same place anymore.

I didn’t treat these as three costumes for one release campaign. They became a record of what I needed the character to hold at each point in the story: armor, confrontation, and then enough openness to imagine a life after both.

Three full-body designs of ZER:0 evolving across the trilogy: an armored black-and-violet technical outfit for What They Tried to Take, a stripped-down sleeveless black look with a red zero mark for Credits Rolled, and a looser white shirt with black jeans for Somewhere Between a Life.
One character, three emotional states. The palette stays connected while the armor, posture, and visual weight change with each record.

01WHAT THEY TRIED TO TAKE

Built to survive the noise.

At first, I needed ZER:0 to look like he could carry everything I couldn’t. The design is layered because I was layered — hurt, defensive, still moving, and carrying too much at once.

Sound

The music didn’t stay in one lane. Hyper-pop beats, metal licks, hooks, dance-floor motion, and sharp left turns kept the pain alive instead of embalming it. The voice still had a raw, searching edge because I was shaping it while the story was happening.

Style

The technical jacket, cargo straps, heavy boots, headphones, and black-and-violet hardware make him feel armored and prepared. Every layer looks like it can store one more piece of the story.

Artwork

The album art is almost aggressively white, but the iridescent title won’t sit still. It looks like clean evidence from a distance and unstable color up close. That contradiction became the visual rule for Act I.

02CREDITS ROLLED

I stripped away anything that made the ending easier to love.

By Act II, the argument had narrowed. I didn’t need more layers. I needed ZER:0 to look exposed enough to tell the truth and sharp enough to survive saying it.

Sound

The guitars got heavier, the synths hit harder, and five songs became a tighter attack. The anger is physical here. The voice is less interested in explaining itself and more willing to let the pressure boil over.

Style

The sleeveless black silhouette removes most of the armor and leaves the body visible. Chains, straps, violet hardware, and the red 零 keep the look confrontational without rebuilding the complexity of Act I.

Artwork

Red hits violet and black like a warning. The oversized 零 doesn’t float politely in the center; it lands there, doubled and damaged. The artwork isn’t closure. It’s the title card after the ending stopped being believable.

03SOMEWHERE BETWEEN A LIFE

The armor came off. That didn’t mean the story was over.

By Act III, I didn’t need him dressed for war. I needed him to look like someone who might walk into an ordinary day carrying everything that happened without letting it decide every part of him.

Sound

There is more space, silence, repetition, and distance. Anger cools into reflection without becoming a neat lesson. The voice has mutated from Act I, but it still carries enough of the original shape to make the change audible.

Style

The white shirt and black jeans are loose, open, and almost ordinary. The headphones, split hair, violet straps, and red 零 remain as continuity. It isn’t a victory costume. It is a person trying to live.

Artwork

A red-and-blue horizon cuts through the dark like direction before certainty. The light isn’t a finish line. It is a threshold — enough of a future to keep walking toward, without pretending everything behind it disappeared.

A way in, not a prerequisite

You don’t need the lore to understand it.

I care about every detail in this little universe. You still shouldn’t need a character bible before any of it can mean something to you.

Those three versions of ZER:0 carry things I couldn’t explain cleanly at the time: armor, anger, and the possibility of living after both. Building him gave those changes a face. It gave me enough distance to say things I couldn’t always say as myself.

VA//A:RE gives another part of that experience somewhere to live. Both characters matter to me. The symbols, clothes, voices, and repeated details matter too. But they are ways into the story, not homework you have to finish first.

If you can see the armor come off, hear the anger cool, or recognize someone trying to imagine an ordinary life again, then you already understand something real. You don’t need to know every name or symbol before you are allowed to feel it.

Come in through whatever catches you first: a song, an image, a line, a character. If you want to dig deeper afterward, the little universe is waiting for you.

You don’t need the lore to feel the change. It’s there if you want to stay.

Act I

Act IWHAT THEY TRIED TO TAKE

THE BREAK

This is the part where everything is still happening. I’m hurt, furious, confused, and trying to turn it into something I can actually own.

White square album artwork reading “What They Tried to Take + what came after” in large iridescent type, with a parental advisory mark and the ZER:0 signature.
Original artwork for Act I.

The Record

I wrote this album from inside the wreckage. There was no clean lesson yet. I was trying to name betrayal, isolation, psychosis, broken systems, unexpected kindness, and the strange humor that survived with me. The record keeps changing shape because that year kept changing shape while I was living it.

The Story

Everyone wants a beginning. The trouble is, I could never pick just one. By the time I understood what had been taken, I was already living through what came after. That’s why the title carries the extra phrase: the wound and its consequences arrived tangled together.

The Sound

I didn’t want an album that only sounded wounded. It needed to feel alive. Defiant. Catchy. Messy. Hyper-pop beats, metal licks, dance-floor momentum, and sharp left turns gave the pain somewhere to move without letting it become the only thing left.

Visual Language

The white looks clean from a distance. Up close, the title won’t stay still. That felt right: something presented like evidence while every color underneath it insists there’s still a person here. The restraint makes the instability inside the letters harder to ignore.

From the writing room

I was writing from inside it.

The first twelve songs weren’t a plan. They were a way to talk when talking had become hard.

I decided I would take ownership of my lot. I wanted to talk about it — the majority of it. But speech was hard when I lost the ability to speak. Trauma does that to you.

The songs gave me a container before I had an explanation. I could put a hook around a thought I couldn’t finish in conversation. I could make fear dance for three minutes. I could let anger be funny without pretending it wasn’t anger.

I wasn’t standing at a safe distance arranging the past into an elegant concept album. Parts of it were still happening. I was learning what the story was at the same time I was trying to survive it.

That’s why the first act sprawls. Twenty-four tracks is a lot, and it still leaves things out. The excess isn’t an accident. It’s what it looked like when one life refused to fit inside one clean explanation.

I didn’t know I was building an act. I only knew I had something I still needed to say.

Track List

24 tracks

How this became 24 tracks

One album. Then the follow-up. Now the definitive edition.

WHAT THEY TRIED TO TAKE began as its own album. + what came after was written as a follow-up addition to those main tracks. I eventually fused both pieces into one final 24-track record: the definitive edition of Act I.

  1. No One Ever Came

    So here we are.

    This is not a dig.

    This is not blame.

    This does not erase the people who showed up after.

    This is what it was like inside the head of someone still haunting the life they used to have.

    (p.s. this the album cover was a collaborative effort. A good friend of mine showed me a photo he took and the minute I saw it I knew it was a part of this story) Thanks babe.

  2. Talking To Stars

    Some of the lyrics in this song are more than ten years old. I held onto them because they always felt unfinished, like words sent somewhere that had not answered yet. I would return to them every few years, but I never knew where they belonged. It turns out I had not lived the rest of the song yet.

    Despite the title, this is not really a song about space. It is about looking toward the night sky when I was too hurt to keep looking at the world around me. I was not asking the stars to fix anything. I think I just needed something vast enough to recognize how broken I was without asking me to explain or prove it. For a moment, it felt like the sky looked back and acknowledged me.

    Not healed. Not whole. Just seen.

    I once dreamed of reaching the stars by becoming an astronomer and working for NASA. Life took me somewhere else. But maybe this was another way of reaching them. I spoke into the dark, and after more than ten years, the song finally answered.

  3. Anything Else

    “Anything Else” is not really a breakup song. It is about the ridiculous number of times we failed to stay broken up.

    My ex and I knew the relationship was toxic. We knew the pattern, knew how it would end, and kept going back to each other anyway. At some point, it became so predictable that it was almost funny. Not because it stopped hurting, but because there are only so many times two people can knowingly walk into the same wall before the whole thing starts to feel absurd.

    This is not me pretending I had no part in it. We both kept reopening the door. We confused familiarity with inevitability and kept finding one more reason to try again, even when neither of us had anything different to offer.

    Sometimes something can be heartbreaking and still be a little hilarious. “Anything Else” lives right in the middle of that.

  4. [Me Me Me]

    I thought I was falling for someone. There was something in the way they looked at me, or maybe in who I became when they did, that made me feel awake again. I called it attraction because that was easier to understand. I gave them credit for every color, every soft part, and every piece of myself that seemed to return whenever they were near.

    But they were not putting those things inside me. They were reflecting back what I had forgotten was already there.

    That does not mean the connection was imaginary or that the person meant nothing. Something about them genuinely helped me see myself again. I had simply mistaken the mirror for the source.

    For a song with such a self-centered title, [ME ME ME] is really about reclamation. I spent so long believing I was chasing another person, only to realize I had been trying to find my way back to myself.

  5. TOO LATE JUST DANCE

    Sometimes, when you already know things are kind of f****d, you reach a point where you think, “Well, if the plane is going down anyway, I might as well enjoy the view.”

    That’s really what this song is about.

    It’s not pretending everything is okay. It’s knowing things are absolutely not okay and deciding you’re not going to waste the rest of your energy crying about it.

    Sometimes the only thing left to do is turn the music up, let go for a minute, and dance through the disaster.

    Plus, who doesn’t love an easy, radio-friendly song that lets your brain take the night off?

    No boo-hoos. No dramatic speeches. No trying to fix everything before the beat drops. Just dance.

  6. Ghost in the System

    If you’ve ever had to navigate the medical system, change therapists, or explain your entire life to yet another person holding a clipboard, this one may hit a little too close to home.

    There’s a very specific kind of exhaustion that comes from being asked to write down “the worst day of your life” for what feels like the hundredth time. At some point, you start wondering if there’s a loyalty card.

    Then there are the medications.

    You finally get your refill called in (seriously, don’t forget to take them), only to discover that somewhere between you, the doctor, the pharmacy, and the system, someone didn’t get it quite right. Again.

    Sometimes a little dark humor is the only thing keeping you from completely losing it.

  7. LOVE(D)

    I don’t really know how to talk about this one.

    LOVE(D) was about him, but it was also about the moment that set this entire story in motion.

    I’m going to tell you the truth.

    My truth, anyway. And what I fear may also be true for other people who have been through something similar.

    Even when someone betrays you in a way that splits your life into before and after, part of you can still love them. Or maybe not them exactly. Maybe you still love the version of them who existed before you knew what they were capable of. The version you never thought could hurt you so completely and leave you alone with the wreckage.

    It’s confusing. It’s frustrating. And it’s extremely difficult to talk about.

    There’s shame, because “How could you still love someone who did that to you?” becomes a little too familiar. As if loving them means you’re excusing what they did.

    It doesn’t.

    I love(d) him.

    And that was then.

  8. I’m Still Here, Alright!

    The words that became this song are words that should never be arranged in that order:

    “Go kill yourself, f*****.”

    Those were the last words he chose to leave me with.

    Not an explanation.

    Not an apology.

    Just something meant to hurt as deeply as possible before he disappeared.

    If anyone has ever said something like that to you, I’m sorry. You didn’t deserve it.

    People like to say they’re “just words,” but some words don’t leave when the person does.

    They replay. They find their way into quiet moments. They change the way you hear your own thoughts for a while.

    This song is what I did with mine. I took the words he meant as an ending and made sure they weren’t.

  9. Meet Me Before

    There is such a clear line between “Then” and “Now” that they sometimes feel like two completely different lives.

    There was the me who lived without knowing the weight I would one day be forced to carry. Then came the version of me who had no choice but to become strong enough to carry it, even on the days I really didn’t want to.

    I don’t romanticize that strength. I would have preferred not to need it. But now there is a version of me who can finally see tomorrow waiting just over the horizon.

    For the first time in a long time, I believe I might actually reach it.

    That’s the version of me I want you to meet. I remember who I was, and I know what it took to get here, but I’m not looking back.

  10. Waiting in Wonderland

    Psychosis.

    Where do I even start?

    It’s one of those things that can fundamentally split a person in half.

    Mine bent my reality until nothing felt simple, safe, or completely certain anymore. It became complicated in ways I still don’t always know how to explain.

    I’m deeply sorry to the people who had to see me that way, especially anyone I may have scared, confused, or pushed away while I was trying to understand what was happening to me.

    But to those who stayed and carried me through the hardest days of my life, even without knowing the heartbreaking circumstances that led me down that rabbit hole, thank you.

    You didn’t have the full story. Some of you barely had any of it. But you stayed anyway. You reminded me that I was still here when I couldn’t find myself. You saved my life, and I will always carry each of you differently in my heart.

  11. G-T-F-O (feat. VA//A:RE)

    At the very beginning of this story, a few unwanted guests found their way in and made themselves far too comfortable.

    For a while, I was too overwhelmed, too confused, and honestly too tired to say what needed to be said.

    Silence can look a lot like permission to people who benefit from it, but it never was.

    This is the version of the story where I finally found my voice, drew a line, and refused to move it.

    No long speech. No dramatic goodbye.

    Just a very clear message: you have officially overstayed your welcome.

    Sincerely, Get the f*** out!

  12. Three Hundred Sixty Five

    You know this one.

    The person who disappears without a word, leaves you to make peace with all the questions, and then suddenly decides they’re ready to talk again.

    As if the conversation has just been sitting there patiently waiting for them to come back.

    There was probably a time when I would have answered immediately, because closure can look really attractive when you’ve been denied it long enough.

    But eventually, you realize that someone returning doesn’t automatically earn them access to you again.

    Sometimes the silence already said everything.

    But don’t worry, we aren’t bitter.

    We’re simply no longer available.

  13. Sad Boy Boogie

    WHERE ARE MY SAD BOYS?!

    This one is for everyone who keeps showing up, even on the days when staying inside feels like the only reasonable option.

    For the people who can be sad, tired, anxious, and still somehow pull on their boots and make it out the door. I love you.

    Existing can be a lot, and sometimes the victory isn’t fixing everything. Sometimes it’s simply making it through the day without disappearing from your own life.

    So bring the emotional baggage. We can check it at the door or drag it onto the dance floor with us.

    Either way, the music is already playing.

    Let’s boogie~

  14. Mercy, Mercy XOXO
  15. Let It Go

    I kept hearing myself tell the same stories over and over again.

    I realized how much time I had spent replaying this past year and all of its horrors, letting it happen to me again every time I told it.

    I decided I wanted to move forward.

    Not forget. Not forgive. Just finally say, “It happened.”

    So I’m letting it go the best way I know how.

    Usually, letting go means you stop talking about it. But since it’s me, I thought, “Well… why not make a song about it first?”

  16. Just Enough

    Will they?

    Won’t they?

    Is anyone even asking the same question anymore?

    And does the answer subtract from the feeling?

    Labeling the abstract is not welcomed here. I subscribe to the nonsense because I participate in it. Because “just close enough, but we’ll never say the real words” is better than nothing.

    Ya know?

    Of course you do.

    Because I do not.

    (But I do.)

  17. Look Good, Act Right (feat. VA//A:RE)

    Consent.

    C-O-N-S-E-N-T.

    Commit that to memory if it hasn’t been yet.

    This was made from the bones of a song that was overbearingly educational.

    The message is still baked in.

    It just sounds better as a club anthem.

    Always.

    Ask.

    Fucking.

    Consent.

    This has been a PSA provided by isweartofuckinggodiwillkickyourassyoupieceof—

  18. No One Wore Black

    Disenfranchised grief.

    Go look it up.

    Put that in your “new word” piggy bank for today if it describes something you’ve felt but never had the language for.

    There is a version of me that was left for dead. And that version of me died.

    I never had time to mourn him. I was too busy clawing at every thread I could find, trying to save whatever part of me was still alive.

    People can look at me now and say, “Oh, but you made it. You shouldn’t be sad. You should be thankful.”

    Kind of hard to feel thankful when I’ve been dragging around the corpse of who I used to be.

    I don’t know which version of me still lives in your head. So I’ve had to Frankenstein together some version of myself that still looks enough like that guy for you to recognize him, while somehow making room for everything that came after.

    I made it. But he didn’t.

    And I don’t blame you if you didn’t know to wear black.

    I wear it every day for you.

  19. The Party Dies Twice

    Take care of others.

    Sit beside someone when the lights come back on.

    When the music stops.

    When whatever felt fun five minutes ago becomes something someone has to survive.

    Take a second to think about what you’re doing. Then take another to think about who will have to carry it after you leave.

    The party dies once when the fun ends. It dies again when everyone decides the aftermath belongs to someone else.

    We don’t leave each other when the fun becomes responsibility.

  20. Add It To The List

    Sometimes the bad times just keep coming.

    At some point, you learn to ride the wave.

    After a year of terrible shit happening, you get a little better at taking the punches. Not because they hurt any less. You just stop being surprised when the next one lands.

    On the bright side, I learned to stop asking how much worse it could get.

  21. Deadroll

    Have you stopped clutching your pearls?

    Good.

    The purpose of this song, and the imagery I used, was never to be blasphemous. I wanted to show what it felt like to sit among the upper crust with “the good ones,” only to be betrayed by those same people.

    But there are people in the shadows, too.

    Good people.

    The people who accepted me, held me, and helped me find my way back home when the light had nothing left to offer.

    I’ll never forget them.

    They taught me how to see in the dark, and I promised myself I’d come back for them in whatever way I can.

  22. A Little Room

    Life went on.

    Despite everything it endured, my heart still managed to make a little room for whatever beautiful, messy thing I believe love can carry.

    If you can’t tell, this song is for someone.

    (Thankfully, a different someone than the one this story has been riding on.)

    Maybe your someone.

    But definitely mine.

    You showed me there was still something beating inside my chest.

    I won’t tell the world what you did that gave me that spark again…because I’m not even sure you remember doing it.

    But every time I see you, there is still a piece of me living in that moment.

    Thank you.

    I’ll always be yours, even after.

  23. Public Safety (feat. VA//A:RE)

    I wanted to end this show with something that felt like ownership.

    This little sick track is half a public service announcement to remember to take your meds and half an attempt to conquer my own stigma around having to take mine.

    It’s part of the residue I still carry from “the people who came.”

    Between them and The Act, taking them became necessary.

    And that burns me.

    But I’ve seen what I can be like without those meds, and I’d swallow my own pride before I ever made the people around me deal with that version of me again.

    I’ve learned to live with these scars. With the damage. With the broken heart and the bleeding soul. With the “back thens” and the “if onlys.” With the tears that find me more often than not. With the life I should have had but lost. With the people I thought would show up but didn’t. With the regrets. With the fears. With the lonely.

    You all tried to take everything from me.

    And you got goddamn close.

    But somewhere in the wreckage of yesterday, I found my strength. When I couldn’t find a light, I made my own. When I couldn’t see a path, I forged one. I conjured every ounce of myself I could find so I wouldn’t fade out.

    I wanted to stay that badly.

    I needed to know the world wouldn’t erase me or reduce me to the things that happened to me. I refused to let any of it win.

    So I stayed.

    And I will keep staying.

    For myself and for anyone who finds themselves on the other side of this coin. I will make sure no soul carrying this weight passes me believing they have to carry it alone.

    You took enough from me.

    You don’t get this too.

    I take the meds.

    I carry the scars.

    I live with what happened.

    But this life is still mine.

    I don’t take them because you won.

    I take them because I did.

    Come hell or high water...

    I’m still here, alright!

What Changed

I turned the year into something I could own. That didn’t erase what happened. It just meant the story belonged to me now.

Act I → Act II

Well shit… I have more to say about this.

One album was never going to hold the whole story.

When I sat down to write the music for WHAT THEY TRIED TO TAKE, there was never any intent for it to become a three-act project.

WHAT THEY TRIED TO TAKE existed first as its own album. Once it was finished, I went, “Well shit… I have more to say about this.” That follow-up became + what came after.

Eventually, I fused the original album and its follow-up into one final 24-track record: the definitive edition of Act I. Then that became, “Oh god, there are still parts of this I am experiencing in real time.”

ACT I: WHAT THEY TRIED TO TAKE + what came after

Act II

Act IICREDITS ROLLED

THE AFTERMATH

Anger. Truth. Lies. This wasn’t closure. This is boiled over. This is to the bone.

Purple, black, and red square album artwork with an oversized layered red-and-black Japanese zero character and the spaced title “Credits Rolled.”
Original artwork for Act II.

The Record

CREDITS ROLLED is what happened when I stopped trying to make the ending easier to love. Five songs. No cleanup. No folded corners. No pretend closure. It’s smaller than Act I because by then the argument had narrowed to the things I could no longer avoid.

The Story

I lied so you would love the ending. The truth is, I wanted to believe it myself — that there was closure, that everything had been folded neatly into little spaces, and that nothing more needed to be said. Then I realized I had made it pretty so I could survive looking at it.

The Sound

The tone shift was intentional. The guitars are heavy. The synths hit hard. The beat keeps moving, even when I wasn’t sure I could. I wanted the aftermath to feel physical because living through it was. This is the pressure boiling over instead of being arranged for company.

Visual Language

The 零 mark doesn’t sit politely in the middle. It lands there. Red against violet. Doubled, dragged, and a little damaged. Like a title card that survived the movie and resented being asked to smile for the sequel.

From the writing room

I lied so you would love the ending.

Anger. Truth. Lies. This is boiled over. This is to the bone.

I wanted to believe there was closure. I wanted everything folded neatly into little spaces. I wanted there to be no need for an encore because an encore meant admitting I was still standing in the wreckage.

But truth pours out like a faucet when you give it room to flow. So I admitted the parts I had kept to myself. I admitted my fault in the entire mess. I stopped asking the ending to make me look easy to love.

That’s where this second act sits: between the truth and the hurt. It’s the moment I realized survival could become another performance — looking functional, staying useful, making the mess presentable enough for everyone else to go home.

The tone shift was intentional. The record had to lose its patience because I had lost mine. It needed to hit like the part of the story that refused to stay folded.

The credits rolled. I was still there. That was the lie hiding inside the ending.

Track List

5 tracks

  1. That Was the Lie

    So now you know.

    I lied.

    But not in a way meant to cause hurt.

    Quite the opposite.

    I omitted parts of this story for the safety of others. Including myself.

    I wanted to wrap this whole saga of pain into something that looked pretty on a shelf. Something that could make you believe love doesn’t have to cost anything.

    I wish with my entire heart I could look at you and tell you that was true.

    But this was me, strained from everything it has cost to keep my tongue held. From watching what the effects of “kindness” can actually do.

    I’m not sorry I lied.

    I’m sorry you know the truth now.

  2. Useful Was Enough

    It hurts knowing you’re only wanted because of what you can offer.

    It hurts even more when you realize you played a part in allowing it to happen.

    I made myself useful so people would want to keep me around. I became the punching bag because, as long as I could take the hit, I could call that being wanted.

    This song is an admission.

    Useful was enough.

    Until it wasn’t.

  3. Still Burning

    This song was about a pizza.

    Sorta.

    I had a really shit weekend. It’s actually what tipped the scales and made me write this sequel.

    Part of that weekend involved having no money to eat, being somewhere I wasn’t familiar with, and being pissed off because, if you drew the lines far enough backward, some of it could be traced all the way back to the… ya know.

    So yeah. I was hella pissed.

    Through sheer determination, I managed to get myself over to a Domino’s and use my collected points to get one fucking pineapple-and-ham pizza.

    And somehow, that became the song.

    Because no matter what you throw at me, I’m going to keep going.

    Whatever pit the world leaves me burning in, let it.

    I’ll see you on the other side, motherfucker.

    Pizza and all.

  4. Horror Show

    This felt like the theme song for my life at the time.

    It was me admitting that sometimes it feels like the camera is permanently searching for my worst angle.

    So enjoy the view.

    I make a good show.

    Also, I have a friend who performs in drag named Betty Punk, and the entire time I was writing this song, I could see them performing it in my head.

    Thanks for keeping my fire burning, friend.

  5. Don't Jinx It

    For the better half of my adult life—and I’m 30 at the time of writing this, so you can do that math—I’ve had a thing about telling people when something good happens to me.

    Mostly because some part of me became convinced that if I talked about something good, it would get ruined.

    I now have one of the most amazing humans in my life as a friend, who also happens to be a therapist, and through what I can only describe as indirect exposure therapy, I have discovered:

    Oh.

    That’s trauma.

    Haha.

    Welcome to my brain.

    It’s a good one, but damn, we got baggage.

What Changed

Truth pours out like a faucet when you give it room to flow. So I admitted the parts I had kept to myself. I admitted my fault in the entire mess. That’s where this second act sits: between the truth and the hurt.

THE CREDITS ROLLED. LIFE DIDN’T.

Act II → Act III

It ends with me.

Eventually anger cools into truth. And truth can become a mirror. And a mirror can become a lesson.

I let my healing form new meaning. New understandings of myself and others. Navigating became different. I was different. I am different.

I wrote these last songs in a way that felt almost removed from the other parts, even though they were the consequence of it all.

I chose to do something with my lot. I can’t change what happened. There are still days when I find it hard to get out of bed. Some days I am inspired to change the world in some small way.

I realize how this all could have gone so differently. How being spared can become something worse. But that’s how it went. And I said, “It ends with me.” Because it does.

This felt like the real conclusion of this work. Not that there will ever be an actual conclusion. I woke up one morning and the concept and lyrics were already buzzing.

ACT III: SOMEWHERE BETWEEN A LIFE

Act III

Act IIISOMEWHERE BETWEEN A LIFE

THE RECONSTRUCTION

I was different. I am different. These songs feel almost removed from the other acts, even though they are the consequence of everything that came before.

Dark square album artwork with a grainy blue-to-red horizon crossing vertical glowing letters that spell “Somewhere Between a Life,” plus a small 零 mark.
Original artwork for Act III.

The Record

I woke up one morning and the concept and lyrics were already buzzing. This record lives in the part nobody knows how to photograph: after the crisis, after the applause, before anything feels normal. I’m not interested in pretending recovery moves in a straight line or arrives as a reward for surviving correctly.

The Story

Eventually anger cooled into truth. Truth became a mirror, and the mirror became a lesson. I let healing form new meaning and new understandings of myself and others. Navigating became different because I was different. The question stopped being how to restore the old life and became what I could build with the person who remained.

The Sound

There’s more space around ZER:0 here. The weight is still present, but I let silence, repetition, and distance do some of the work. Not everything has to scream to be honest. Some truths only become audible after the anger stops filling every inch of the room.

Visual Language

A single line cuts across the dark like a horizon I’m not sure I can reach yet. Purple, blue, and red become proof that direction can exist before certainty does.

From the writing room

I chose to do something with my lot.

Eventually anger cools into truth. Truth can become a mirror. And a mirror can become a lesson.

I let my healing form new meaning and new understandings of myself and others. Navigating became different. I was different. I am different.

I wrote these last songs in a way that felt almost removed from the other parts, even though they were the consequence of it all. They came from the life after the obvious story — the days that look ordinary from the outside and still take everything you have.

I can’t change what happened. There are still days when I find it hard to get out of bed. Some days I’m inspired to change the world in some small way. Both belong here. Neither cancels the other out.

I realize how this all could have gone so differently. How being spared can become something worse. But that’s how it went. I said, “It ends with me.” Because it does.

This is a conclusion, not a claim that everything is over.

Track List

5 tracks

  1. Everything We Inherited

    Wow.

    Another album.

    So quickly, huh?

    Seems sus.

    I wish I could tell you this was some AI-hallucinated fever dream, but sadly, I just wake up with ideas and lyrics and start writing like a little demon.

    This song sparked the entire album.

    After that really shit weekend, I spent the next week reflecting on everything that had come and gone. For the first time, I felt sort of above the damage.

    Not healed.

    Not removed from it.

    Just far enough away to finally see some of the lessons hiding in the rubble.

    And somewhere in all of that, I really started learning how much we inherit from the people who came before us. Patterns, fears, coping mechanisms, pain—things that started long before we ever had names.

    And I was basically like:

    “Wait. We carry generations of trauma around with us? Like, legit?”

    Whaaaaaat?

    Suddenly, a lot of things made sense.

    That doesn’t excuse the trauma I’ve added to the pile myself. But it helped me understand that sometimes we’re walking around carrying things that are bigger and older than we are.

    And with that realization, I made myself a promise:

    I will do everything I possibly can to make sure my trauma doesn’t become someone else’s inheritance.

    Especially from my lot.

    So take the time to learn yourself. Learn your parts. Learn what belongs to you and what was handed to you.

    I wish you nothing but healing, babe.

  2. A Year Off

    Ahhhhh.

    This one hurts.

    Losing someone because of the way they perceive your damage sucks butt.

    To keep the details of that relationship behind closed doors, I’ll leave it at this:

    This was two people who overthought everything and unintentionally killed something that maybe could have been good.

    We still talk.

    It’s all good.

    Life is weird.

  3. IDDIE4U

    I like the way certain titles look.

    I genuinely think there’s an art to naming songs, and I felt extremely cool about this one.

    But the sentiment behind it is true.

    I can’t tell you how many times I’ve been willing to bleed for another person while refusing to love myself enough to do the difficult thing for me.

    That’s the contradiction.

    I’ll destroy myself proving I care about you.

    Learning to care about myself with that same intensity?

    Still working on it.

  4. I Witnessed You

    I witnessed you.

    All of you who have been part of this journey.

    I’ve seen you struggle.

    I’ve seen you summon just enough strength to keep the ball rolling for one more day.

    The ones we’ve lost.

    The ones still hanging on.

    The ones who give everything.

    The ones who held my hand in the dark.

    The ones who saw the ugly parts of me and still wanted me around.

    The ones who haven’t learned their worth yet.

    The ones who got left behind when they never deserved to be.

    I witnessed you.

    And I will always be your biggest cheerleader.

    I will move heaven and hell for you.

    Because your story needs to keep going.

    No.

    Matter.

    What.

    I’m proud of you.

  5. It Ends With Me

    I mean this.

    IT ENDS WITH ME.

    I know with every ounce of my heart that my story is not supposed to end with me adding another human being to this tragic little saga.

    Trust me.

    I did you a favor.

    I will not pass this trauma forward.

    I will not hand someone else the same struggle this world handed me and tell them to figure out how to survive it.

    Whatever came before me, whatever was handed to me, whatever I added myself—

    it stops here.

    So:

    It Ends With Me.

    Love,

    Matt.

    (It’s okay to laugh. Especially at this song. I know it’s tragic, but… pfffffft. lol.)

Where It Leaves Us

This felt like the real conclusion of the work. Not because anything is neatly over, but because I chose what happens next. I said, “It ends with me.” Because it does.

Why I showed it

I just wanted someone to think it was neat.

I told a story. That’s cool, right?

I spent so much time inside this little thing I built — the music, the characters, the artwork, all of it — that I stopped knowing whether I had made something real or was just high on my own fumes again.

That feeling can move in both directions. One minute I can see the whole universe clearly. Five minutes later I can convince myself it’s embarrassing and nobody should ever see it.

What I know is that I made a body of work with its own identity. The songs talk to each other. The visual rules repeat without making every piece identical. I kept asking whether something belonged because, eventually, there really was a thing for it to belong to.

It doesn’t have to become enormous to matter. Maybe one person gets here, looks around, listens, and says, “Wait. This is kinda fucking cool. What is this?” That’s a real outcome. That’s enough to let the work exist outside of me.

I had a story to tell, and I just happened to be legit good at lyrics and shit.

The work, reconsidered

The Full Story

At the beginning, this artwork looked like an announcement. Now it feels more like proof. I made three records because one ending was never going to hold the whole story.

  1. Act IWHAT THEY TRIED TO TAKE
  2. Act IICREDITS ROLLED
  3. Act IIISOMEWHERE BETWEEN A LIFE
White square project artwork reading “The Full Story: A Psychosis in Three Acts,” with iridescent letterforms, a parental advisory mark, and the ZER:0 synthetic vocal instrument signature.

Outside the acts

THE SONGS BETWEEN THE ACTS

Not every song belonged to a release when it arrived. Some were pressure valves, side doors, or things I needed to say before I knew what they were becoming. Some stayed on their own. Some found their way into what came next.

  1. PANIC!PANIC!!

    Read the note

    I’ve had panic attacks. But I hadn’t had a PANIC! attack.

    It was so disorienting to suddenly move from the bed to the kitchen, trying to find a reason for why it was happening, and then almost wind up crawling inside a cabinet because I had no control over whatever my body was freaking out about.

    Thankfully, I remembered some good ol’ grounding techniques. They helped me keep it together until a friend found me face down on my bed. He sat with me through the rest of it.

    Thanks, Bob. (That’s not his name, but I forgot to ask if he wanted to be mentioned.)

    I tried to make the soundscape feel… well, panic-inducing, while still controlled enough to carry the beat.

    The panic attack unfortunately cost me an opportunity I was very much looking forward to. But hey, that’s the fun of trauma, baby!

  2. Too Busy Cry Later

    Read the note

    I don’t have time to cry these days.

    I’ve got too much work to do and other people’s debt to pay off to just sit around and shed another damn tear over any of this BS.

    I don’t condone not taking care of yourself or sidestepping emotion. But sometimes you gotta punch in, and I don’t look cute ugly-crying at my desk on a Wednesday morning.

    We got bills to pay.

    Get it together, Susan. (I’m Susan.)

  3. I'll Always Dance Alone

    Read the note

    This is what my soul feels like. And this isn’t meant to be some pity party. Melanie Martinez beat me to that by a few damn years.

    It means I’d rather swallow my light if it helps make yours a little brighter.

    I wanna see you tear it up. I wanna see you get your moment and then some.

    Because if I need to be the one running the lights, you better give them everything you’ve got.

    No matter what, I’ll be cheering you on.

  4. J.F.C

    Coming Soon

    Read the note

    Yes, Mother, I know there’s supposed to be another “.” after the C. I just liked the way it looked.

    I get mad sometimes and wonder how far I can push my luck with people and the things that come out of my mouth.

    Again, I come from a Christian background. Like, I ate that stale-ass cracker like a champ and sang in choir for nine years. I served enough time to stand far enough back from it all, appreciate it, and poke it a little bit.

    Also, family, sorry. Probably not what you thought I’d be out here yelling.

  5. The Things I Missed

    Coming Soon

    Read the note

    Speaking of family… hi, guys.

    I’m sorry I stayed away so long. I’m sorry I’ve missed important things.

    I couldn’t find a way to prepare you for a funeral and a birth at the same time.

    But you didn’t care what version of me came home. You just needed me to come home.

  6. Now And At The Hour

    Coming Soon

    Read the note

    Okay.

    Okay.

    Yeah, it’s getting a little hot in here…

MPSD creative case study

The Making of ZER:0

This isn’t a neat list of software. It’s the record of how I turned a period I couldn’t control into something that felt like mine. ZER:0 and VA//A:RE are synthetic vocal instruments and recognizable characters, but every lyric, decision, rejection, visual angle, and piece of meaning began with me.

Songwriting

A song usually starts with the part that won’t leave me alone: a sentence, a joke I probably shouldn’t make, an image, a contradiction, or the line I keep hearing while I’m trying to do something else.

Then I work it into structure — hooks, repetition, tension, payoff, voice. Having feelings isn’t the same as writing a song. The craft is in translating those feelings into something another person can enter and remember.

I reject lines that sound impressive but aren’t true. I keep the awkward line if the cleaner one stops sounding like me. Sometimes the joke is the most honest part of the verse.

I had a story to tell. The lyrics were how I learned to tell it.

Synthetic Vocal Production

ZER:0 is the voice I built for things I couldn’t always say out loud. The synthetic performance creates distance, but the distance isn’t an escape from authorship. It’s the instrument that made speech possible when speech was hard.

Using Suno, I first had to shape the core voice. That took more trials and experiments than the finished records make obvious. The voice heard across Act I wasn’t a preset I found. It was something I kept pushing, then mutating over time into what you hear by Act III.

Some songs almost didn’t make the cut because I couldn’t get the inflection right, the phrasing wasn’t landing, or one instrument sat just a little wrong. A take could be technically usable and I would still know immediately that it wasn’t the song.

I hand-picked every difference you hear.

Character Development

The designs took the same kind of work. I made character bibles for ZER:0 and VA//A:RE, gave them personas, and kept working the details until each one had an identity you could recognize across different poses, clothes, expressions, and rendering styles.

The sound helped shape the characters, and the characters changed how I directed the sound. A harder delivery could reveal something about ZER:0’s posture. A visual detail could make me hear a line differently. They grew by talking back to the music and to each other.

Neither character is a puzzle the listener has to solve. They’re vessels — fragmented parts of my life made cohesive enough to carry a narrative I couldn’t carry by speaking plainly.

Visual Evolution

The anime-like language is personal. I grew up exposed to Japanese culture and fell in love with the way anime, games, music, and design could build a complete world around a feeling. That visual vocabulary stayed with me.

It was never one style to copy or decoration I pasted on afterward. I pulled together all kinds of odds and ends — childhood influences, hyper-pop color, metal abrasion, character design, editorial typography, glitches, fashion, and whatever else the story needed — and curated them into one show.

Act I refracts against white: clinical at first glance, unstable underneath. Act II hits violet with a red 零 that lands like damage. Act III strips the frame down to darkness, grain, and a horizon that offers direction before certainty.

I didn’t force the releases to wear the same uniform. They belong together because of the story. The differences are the system, because the work changed when I did.

Artwork Iterations

There were alternatives, rejections, near-misses, and covers that looked good but still felt wrong. Looking finished and belonging to the song aren’t the same thing.

I tested scale, thumbnail legibility, release dimensions, color, character pose, and whether the image held the same emotional pressure as the track. If one of those failed, the fact that the piece was technically polished didn’t save it.

The gallery keeps that evolution visible. It isn’t a victory lap of perfect finals. It’s the trail of decisions that taught me what ZER:0 could look like.

Typography

Sometimes type is the image. THE FULL STORY works because the color lives inside the letters while the page around it stays almost aggressively white. CREDITS ROLLED works because the 零 refuses to behave like a polite logo.

Scale, spacing, distortion, and direction let words carry pressure before anyone reads their meaning. I use legibility as a threshold, not an excuse to make everything calm.

The typography still has a job. A first-time viewer needs to know what the work is called, where they are, and what matters next. Expressive type only works when the hierarchy survives it.

AI Workflow

No part of this was ever, “Oh yeah, AI did it and I thought it was perfect.” I wrote every lyric, shaped every concept, and knew what emotional job each song and image had to do before I let it stay.

The tools gave me material to respond to. Then the human work kept going: direct, listen, select, reject, rewrite, regenerate, edit, assemble, test, and decide what belonged. Most options didn’t.

This project happened because skill, opportunity, and grit met at exactly the right moment. I had the time. I had the tools. I had the lyrics. So I did it.

You may have personal opinions about my methods. I want to respect that. But the tools didn’t live this story. I did.

Distribution

A release isn’t finished because I uploaded a file. Artwork, metadata, track order, credits, platform rules, delivery status, and the listener-facing page all have to agree.

That administrative layer feels far away from the emotional work, but it changes how the story arrives. A wrong title, broken sequence, rejected image, or premature announcement can turn a deliberate act into a pile of files.

I only call something released when it actually is. A draft, preview, saved upload, or generated option is part of the process — not proof that the work reached the audience.

Release Timeline

The order is rarely glamorous: write, generate, listen, reject, try again, refine, package, upload, check, wait, document. Sometimes the work circles backward because the visual finally reveals what the song was missing, or the song makes an earlier design feel false.

The trilogy itself arrived that way. I completed the first twelve songs before I understood there was more to say. Then “more” became the realization that parts of the experience were still unfolding in real time.

From the outside, releasing all of it may have looked frantic. Fair. The accident became intentional, but the other truth is that I’m trigger happy when I get excited and I forget to pace myself. I wanted the work in the world almost as fast as it was arriving in me.

The accident became intentional. I’m also a little trigger happy.

A real metadata mistake

The character’s name is VA//A:RE. On Apple Music I accidentally released the credit as VA://A:RE. That extra colon isn’t lore. I fucked up the metadata because I was moving too fast, and I’m leaving it here because it’s part of the real process.

Credits

Every lyric, character design, and angle began with me. I handled creative direction, songwriting, art direction, design, assembly, editorial judgment, and release coordination through MPSD.

ZER:0 // 零 and VA//A:RE are the synthetic vocal instruments carrying the story. The generation tools are part of the production method. They aren’t the authors of the life, the narrative, or the choices that shaped the final work.

The clearest credit is also the simplest: written and creatively directed by Matt Parnell through MP Studio & Designs.

For the people who stayed.

To the people who witnessed me when I was hard to explain and chose to stay anyway: I know what that asked of you. Some of you sat beside me in the noise. Some answered the phone. Some simply kept showing up without demanding that I become easier to understand first. You are in this work, even if your names aren’t.

To the people who came carrying lessons I probably would have preferred delivered a little more gently: I learned anyway. Some of you stayed. Some of you left. Some belonged to versions of me that don’t exist anymore. I can be grateful for what I carried forward without pretending every part of receiving it was kind.

To the people who know me now, and to the people who came before us and tried with whatever they had: I see the effort more clearly from here. None of us arrived alone, even when we inherited silence, fear, or ways of surviving that hurt the people after us.

And to my mother, specifically: you are the real reason I am here, still fighting. There is no version of this story where I pretend I got here by myself. When I couldn’t find enough reason inside me, your love gave me something to hold onto until I could.

Some people changed my life by teaching me. Some changed it by staying. My mother is why I am still here to tell any of it.